In 1983, the iconic Diana Ross & The Supremes song "You Can't Hurry Love" received a fresh cover by the English rock band, Phil Collins. This cover version was a part of Collins' second solo studio album, "Hello, I Must Be Going!"

Phil Collins, renowned for his powerful vocals and distinct drum sounds, successfully transformed the Motown classic into a pop-rock hit. With his unique interpretation, Collins propelled the song to the top of the charts, garnering immense popularity and critical acclaim.

The cover version of "You Can't Hurry Love" captured the essence of the original while infusing Collins' signature style. The song retained its lively and catchy melodies, with Collins' vocals adding a new dimension to the track. His soulful delivery and emotive rendition breathed new life into the song, resonating with audiences around the world.

Collins' cover of "You Can't Hurry Love" was not only a commercial success but also received widespread recognition. It reached the number-one spot on the UK Singles Chart, becoming Collins' first solo chart-topper in the United Kingdom. The track also peaked at number ten on the Billboard Hot 100, solidifying Collins' presence in the American music scene.

The success of Collins' cover version can be attributed to his ability to blend genres and cater to diverse audiences. By infusing elements of rock and pop into the Motown classic, he created a rendition that appealed to fans of both Diana Ross & The Supremes and his own musical style.

Furthermore, Collins' cover of "You Can't Hurry Love" showcased his talent as a multi-instrumentalist. Known for his drumming skills, Collins incorporated his signature drum sound into the song, adding a unique touch that set his version apart from the original.

In conclusion, in 1983, Phil Collins covered the iconic Diana Ross & The Supremes song "You Can't Hurry Love," cementing his status as a versatile artist. His rendition captivated audiences worldwide, reaching the top of the charts and earning critical acclaim. Collins' ability to blend genres and infuse his own style into the Motown classic made his cover version a timeless hit.

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