In 1926, Japan deleted 800,000 feet from US films showing scenes of intimacy and romance. This act was part of Japan's efforts to censor foreign films and maintain a sense of cultural purity within the country. The deleted footage consisted of moments that were deemed too provocative or inappropriate for Japanese audiences.
During this time, Japan was particularly concerned with the influence of Western culture on its society. The government believed that foreign films, especially those from the US, were promoting values and behaviors that were not in line with traditional Japanese customs. As a result, strict censorship measures were put in place to control the content that was being shown in theaters.
The decision to delete 800,000 feet from US films was a significant one, as it represented a large portion of the original footage. This move was intended to ensure that only culturally appropriate content was being shown to Japanese audiences. By removing scenes of intimacy and romance, the government aimed to protect the moral fabric of society and uphold traditional values.
Despite the censorship efforts, some US films still managed to make their way into Japanese theaters, albeit in a heavily edited form. This led to a growing demand for locally produced films that reflected Japanese values and traditions. The deletion of footage from foreign films ultimately paved the way for the rise of Japanese cinema as a distinct and influential cultural force.
Today, the legacy of Japan's censorship efforts in the 1920s can still be seen in the country's film industry. While censorship practices have evolved over time, the underlying desire to protect cultural identity and values remains a key priority for Japanese filmmakers and officials.
In conclusion, the deletion of 800,000 feet from US films in 1926 by Japan was a reflection of the country's commitment to preserving its cultural heritage. By removing scenes of intimacy and romance, Japan sought to maintain a sense of purity and tradition within its society, ultimately shaping the course of its film industry for years to come.
Mother and daughter
Henderson
Venus
Arsenic
Charlie (Charlie Munster was played by Fred Gwynne, who not surprisingly also played Herman.)
Nosebleed
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